Plagiarism
is defined as: “to steal and pass off
(the ideas or words of another) as one's own; use (another's production)
without crediting the source; to commit literary theft; to present as new and
original an idea or product derived from an existing source.”
Here are
comparisons of a number Harriet’s reviews with the dust jackets and/or
editorial materials provided on Amazon’s book page. Decide for yourself.
Editorial
Comments
|
The
Mad Hattie’s Language
|
|
New
Year's Eve 2008
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=
|
on New
Year's eve 2008
|
a man
now seventy-eight
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=
|
septuagenarian
|
readying
his Hamptons house
|
=
|
in the
Hamptons
|
Alice
Verplanck
|
=
|
Alice Verplanck
|
widow
of his former law partner
|
=
|
his
late partner's wife
|
from
Paris
|
=
|
from Paris
|
Schmidt
hasn't seen Alice since the summer of 1995
|
=
|
he
thinks back to 1995
|
when
he behaved like a brute upon discovering a betrayal of sorts and pronounced
her unworthy of his unstinting love and commitment
|
=
|
he
destroyed with his accusations of betrayal
|
she
still doubts
|
=
|
Alice
has doubts
|
She
demands that he think long and hard about their past
|
=
|
she
agreed to see him if he steps back to evaluate his life.
|
Meanwhile
|
=
|
meanwhile
|
his
only confirmed child, Charlotte
|
=
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his
daughter Charlotte
|
had
proposed a truce
|
=
|
offers
her dad a reconciliation
|
in their
perennially strained relations
|
=
|
dysfunctional
relationship
|
which
Schmidt accepted
|
=
|
which
he accepts
|
despite
its obliging him to resume dealings
|
=
|
though
that means dealing
|
with
her repulsive husband
|
=
|
a weak
son-in-law
|
her
mother-in-law-cum-psychiatrist
|
=
|
mother-in-law,
a modern day Machiavelli shrink. the psychiatrist
|
turning
Charlotte decisively against Schmidt
|
=
|
trying
to widen the Schmidt chasm
|
expecting
a second child
|
=
|
pregnant
and with one child already
|
only
two real friends left
|
=
|
two friends
are still upright
|
darkly
funny
|
=
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dry
humorous comedy; droll and witty
|
|
| ||
Editorial
Comments
|
The
Mad Hattie’s Language
|
|
1944
|
=
|
in
1944
|
An
American, beautiful aviatrix Velva Jean Hart
|
=
|
American
pilot Velva Jean Hart
|
volunteers
to copilot a plane
|
=
|
agrees
to fly copilot a plane
|
carrying
special agents
|
=
|
taking
undercover agents
|
to
their drop spot over Normandy
|
=
|
to Normandy
|
their
plane is shot down
|
=
|
Nazis
shoot down her plane
|
she
and five agents survive
|
=
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her
and five operatives to survive
|
now
they are on the run for their lives
|
=
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with
the Nazis in pursuit
|
As
they head to Paris
|
=
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she
travels to Paris
|
Velva
Jean Hart becomes Clementine Roux
|
=
|
Velva Jean
becomes Clementine Roux
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to
capture an operative known only as "Swan"
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=
|
with
plans to find and rescue agent Swan
|
falling
in love with her fellow agent Emile
|
=
|
falls
in love with Emile
|
Clementine
works as a spy
|
=
|
in her
secret identity,
|
she
discovers
|
=
|
Clementine
will learn
|
the
depths of human cruelty
|
=
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how
evil mankind can be
|
Editorial
Comments
|
The
Mad Hattie’s Language
|
|
sex
and games
|
=
|
sexual
encounters of many kinds and with strange flesh
|
A
Harvard dropout
|
=
|
Harvard
dropout
|
employed
by Manhattan-based RedRook Security,
|
=
|
works
for Redrook Security
|
James
|
=
|
James Pryce
|
the
elite hacker
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=
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a
hacker of note
|
finding
people who don't want to be found
|
=
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locating
those who have seemingly vanished off the grid
|
pursuing
their digital tracks
|
=
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finding
their electronic fingerprints
|
exacting
creative high-tech revenge on behalf of his clients
|
=
|
using
high tech vengeance against those who harmed a client
|
twins
Blythe and Blake
|
=
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twins Blake
and Blythe Randall
|
Ten
years ago,
|
=
|
a
decade ago,
|
Blythe
Randall broke James Pryce's heart.
|
=
|
Blythe
blithely broke James' heart
|
Her
enigmatic appeal lures him
|
=
|
he
cannot say no to her.
|
multimedia
artist Billy Randall
|
=
|
multimedia
artist sibling Billy
|
sends
a video of his own suicide
|
=
|
sent
them a video of his "bleed" performance in which he simultaneously
commits suicide
|
reanimating
onscreen as an avatar
|
=
|
reanimates
as an avatar
|
in a
decadent online world called NOD
|
=
|
in a
decadent online world NOD
|
Blythe
uses her influence to install James
|
=
|
Blythe
gets James masquerading as a documentarian
|
at
GAME
|
=
|
the GAME
|
media collective
|
=
|
media
collective
|
one of
Billy's recent haunts
|
=
|
where Billy
recently played.
|
In
order to find him
|
=
|
to
find Billy
|
James
must play along
|
=
|
James
realizes he needs to enter NOD.
|
"the
Bleed"
|
=
|
Bleeding
|
when
real and virtual selves intersect
|
=
|
of
reality and virtual reality
|
|
| ||
Editorial
Comments
|
The
Mad Hattie’s Language
|
|
the
woman sitting across from her
|
=
|
Merline
Teague
|
She
needed this job, but didn't want to appear as desperate as she actually was
|
=
|
interviews
Brooke Vincent for the position of a cook.
|
Your
resume is a little thin."
|
=
|
that
the applicant's résumé is thin
|
Merline
Teague said
|
=
|
Mrs. Teague
remarks
|
"I'll
give you a tryout. . . . [Y]ou can cook for the family
|
=
|
but
will give her a trial of cooking for the family.
|
"If
it goes well"
|
=
|
if
that works out
|
"[W]e're
set up here to feed up to forty people,"
|
=
|
the
guests who can number upwards of forty.
|
as if
Brooke Alder had never existed.
|
=
|
that Brooke
Alder no longer exists.
|
Before
his traumatic tour in Iraq
|
=
|
before
he served in the Iraq war
|
Ryan
Teague was always a bit of a loner
|
=
|
Ryan
was a loner
|
keeping
to himself was a choice now
|
=
|
now he
is all but a hermit
|
It was
enough to make something in his chest perform an unexpected flip-flop
|
=
|
however,
he feels more than just attracted to the new cook
|
He
recognizes
|
=
|
Ryan
senses
|
Brooke
is hiding some scars of her own.
|
=
|
a
fellow wounded warrior.
|
Brooke's
past threatens to ruin it all
|
=
|
at the
cost of her job, haven and him.
|
Brooke
and Ryan help each other begin to heal
|
=
|
love/healing
the protagonists
|
|
| ||
Editorial
Comments
|
The
Mad Hattie’s Language
|
|
as
well as 9/11
|
=
|
for
what the country's terrorists did on 9/11
|
a
slow-acting virus that feeds on petroleum, turning it solid
|
=
|
a
bacterium that solidifies Saudi Arabian oil
|
A scientist has developed a cure for America's
addiction-But he didn't
consider that ...
|
=
|
Eddie's
plan deploys perfectly except for one minor nuisance.
|
contagion
of an Iraqi oil field could spread to infect the fuel supply of the entire
world
|
=
|
the
bacteria goes internationally viral.
|
In Los
Angeles
|
=
|
In
Southern California,
|
screenwriter
Dave Marshall
|
=
|
screenwriter
Dave Marshall
|
heard
this scenario from a retired US marine and government insider
|
=
|
learns
from a government insider friend
|
It
sounded as implausible as many of his scripts, but the reality is much more
frightening
|
=
|
that
his script on oil actually is happening.
|
that
the coming
|
=
|
that
is coming
|
apocalypse
that will alter the future of Earth-and humanity
|
=
|
the
world collapses into deadly local chaos; pandemic impact of the vanished oil
implosion on the unaware and less fortunate lacking.
|
Editorial
Comments
|
The
Mad Hattie’s Language
|
|
is
forced to make desperate choices to save her son and herself
|
=
|
has
the complication of her tweener son
|
When
Hector Lewis
|
=
|
her
abusive father
|
told
his daughter
|
=
|
informs
young Heloise Lewis
|
that
she had a nothing face
|
=
|
"You
have a nothing face."
|
it was
just another bit of tossed-off cruelty from a man
|
=
|
that
was her cruel dad
|
who
specialized in harsh words and harsher deeds
|
=
|
being
his usual nastiness
|
But
twenty years later,
|
=
|
Though
now
|
Heloise
considers it a blessing to be a person who knows how to avoid attention
|
=
|
she
thrives on that non visage
|
In the
comfortable suburb where she lives
|
=
|
as a
suburban Maryland
|
she's
just a mom
|
=
|
Heloise
has been a doting mom
|
who
somehow never misses a soccer game
|
=
|
who
always attends her middle school son Scott's games
|
lobbyist
with a good cause and a mediocre track record.
|
=
|
a
failure lobbyist
|
she's
the woman of your dreams—if you can afford her hourly fee
|
=
|
a
successful madam
|
For
more than a decade
|
=
|
For a
decade
|
a life
she was forced to build
|
=
|
her
construct
|
is
under siege.
|
=
|
collapses
|
another
so-called suburban madam has been found dead in her car
|
=
|
a
recently caught suburban madam died
|
a
suicide. Or is it?
|
=
|
mysteriously.
|
she
learns that her son's father
|
=
|
she
learns that Scott's biological dad Val Deluca
|
might
be released from prison
|
=
|
may
get out of prison
|
he
doesn't know he has a son
|
=
|
Val
knows nothing about an offspring
|
former
pimp
|
=
|
who
was her pimp
|
a life
sentence
|
=
|
on a
homicide life sentence
|
Heloise
betrayed him
|
=
|
who
betrayed him
|
he's
clearly beginning to suspect
|
=
|
as he
would suspect
|
Heloise
has to remake her life
|
=
|
Heloise
knows it is time to reinvent herself
|
Disappearing
will be the easy part.
|
=
|
she
leans towards flight over fight.
|
She's
done it before and she can do it again
|
=
|
she
has reinvented herself in the past
|